![]() ![]() If we kept going to other minor chords, the progression may feel weak and unstable and without a key center. This means that our ears want to go to musical places that are more pleasant to our ears. It can start on any other key except for the I.Ī key trait of many minor progressions is their tendency to go to major chords for stability. Playing a modal progression is all about using chords in a major key that’s out of order. If you’ve been looking for an example of modes in music, then here is one for you. Like last time, we can break down the scale and chords to see this: You can see this progression in two ways: as a progression in A Dorian or as an A Minor progression with a major IV chord. There is no debate that the riff follows and uses many of the notes and possible sounds of a minor key, and it will do you immense good for your playing and songwriting to continue reading this article. It doesn’t matter whether Kurt knew any of this when he wrote the riff. If any of this is difficult to understand, it’s because you haven’t taken the time to learn the fundamentals of music theory yet. This riff can also be seen as a series of I-IV changes in F and then in Ab. F minor scale = F – G – Ab – Bb – C – Db – EbĪlso, notice that it doesn’t use the v chord to end on.Īlthough many progressions in minor keys will end on a minor v or a major V, this will create a classical baroque sound that you may not want.This riff by Nirvana is played in the key of F minor, and it goes as follows: It implies the dark sound of minor without adding all the third intervals. Many minor chord progressions in rock music will not use a full harmony but instead, use power chords. Minor Chord Progressions i – iv – III – VI Differences between a minor and a major chord.i – V7 – VII – IV7 – VI – III – iv7 – v7.
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